Aug 09, · Emptiness Full Song HD Tune Mere Jaana Kabhi Nahi Jaana Full Song Best song by Gajendra Verma #emptiness #emptiness_song #emptiness_song_gajendra_verma #emptiness_song_rohan_rathod #_Broken_Status. Precious Memories Collection [2 CD] Alan Jackson $ $ 79 (2,) Fine Line Harry Styles $ $ 73 (1,) Such Pretty Forks in the Road Alanis Morissette $ $ 8. 99 Weezer (Blue Album) [LP] Weezer $ $ 98 (1,) Red [2 LP] Taylor Swift $ $ 18 (1,) Fleetwood Mac: Greatest Hits Fleetwood Mac. "Full of Emptiness" was excised from all CD reissues, as the track was re-mixed and re-released Buddhism (33, words) [view diff] exact match in snippet view article find links to article complete " emptiness, nothingness".
King of the Worms by Yevabog. Painted by C. Lorentzen fromit depicts the bombardment of Kongens Nytorv in Copenhagen by the British navy during the Napoleonic Wars.
There is an extensive description of this event and its consequences at the Bandcamp page for the Gaseous Subjectivity - Full Of Emptiness - Full Of Emptiness (CD.
There are also subtle variations in the mood and intensity of the melody, but the through-line is unmistakably and immersively sad. In their wrenching, throat-tearing intensity, the vocals stand out from the beginning, almost frightening in how emotionally overpowering they are. The music portrays a different scale and scope of heartbreak.
The sound swells again and soars, swallowing up the listener; the vocals resume their work of emotionally tearing you into tatters; and great crashing and grinding tones undergird the experience like the seizures of tectonic plates. The album will be released on August 15th. It will be released by Redefining Darkness Records on August 10thand it seems that it was also released in late June by Bonepick Records. Bastardizer switch things up in their songs, bringing in thrash riffs and punk rhythms along with bursts of double-bass thunder, sinister yet glorious fanfares, and infernal gang yells.
The songs are absolutely electrifying, and meaner than a pack of rabid wolves. The awesome cover art was rendered by Ezra Syahdian. Speed Armageddon by Bastardizer. Ildskaer is a victory!! Giving me the same vibes I get from the revolutionary works of Forteresse and Cantique Lepreux. Your Comment. Name required. E-mail required. Save my name, email, and website in this browser for the next time I comment. Don't subscribe All Replies to my comments Notify me of followup comments via e-mail.
You can also subscribe without commenting. This site uses Akismet to reduce spam. The band seem to know exactly when to shift gears for maximum impact, whilst maintaining a palpably evil atmosphere and engagingly nasty riffing throughout.
There's not a dull moment on it, or even a moment that dips below "supremely fucking intense. Blind Eye vocalist Annie Spaziano has no past bands I'm aware of but runs an eponymous mini-chain of burger jointswhich is obviously a smarter idea than trying to make your mark on the world through discredited artform 'music'.
She has a ripper set of pipes, too, variously apoplectic and snarky and with a trashy drama to her tone that could fit an '80s speed metal band.
Her musicians flit between full-tilt 80s USHC and spots of wailing, smoggy psych, guitarist Andrew Morgan's serpent-squirm solo excursions being the bridge between these modes. Finlayson's is a sound rooted firmly in the club, but with enough left turns, fake-outs and the kind of sound design chops that make it one of the year so far's best electronic music albums.
The three tracks on the A-side of Gathers see Sarah Davachi work with harpsichord, harmonium and piano. Opener 'Gathers I' strikes a faintly medieval tone, while 'Gathers II' settles into more hypnotic deep listening territory, its soothing drones letting in the faintest hint of melancholy.
Gathersthough, has provided a perfect, much-needed soundtrack for relaxation amid the COVID lockdown, offering a sonic balm to press pause on everything around me while I let my thoughts wander. Jason Crumer approximates the nebulous nature of dreams. The first track, 'Vent', opens with discomposing drones slowly that rumble away; it's like waiting for test results from an oncologist. At about the four-minute marker, an onslaught of sickly noise reminiscent of Atrax Morgue ushers in the holy terrors to come.
Several song titles personify the most vulnerable of emotional states. Few noise artists make sounds so rife with narrative implications as conceptually realised as Jason Crumer. Adam Lehrer. Drum patterns are enacted with such heads-down precision you sometimes feel like Nihiloxica's beatsmen could human-loop in perpetual motion, but in fact these tracks mutate with subtle incrementalism, rarely telegraphing their switch-ups.
At its best, Charli's music leans into the nebulous, peculiarly millennial apprehension that partying is a mere simulacrum of adventure. It reckons with clubbing as a substitute, with our tendency to dramatise and overstate the significance of nights spent hammering away at the brain's pleasure pathways with friends and tunes and pills, and with the awful 'Am I wasting my life? With a wink and a perfectly-judged handclap, Charli prods the listener towards a simultaneous contention with the consequences of escapism and an escapist zone of her own.
This time, though, we deal with a total lack of egress, Gaseous Subjectivity - Full Of Emptiness - Full Of Emptiness (CD. Jamie Ryder. Perhaps the highlight though is 'Capacidades' with its hollering vocal samples, accordion-aided lead melody and syncopated drums.
The risk with an album this multi-faceted is that it could easily just descend into a muddle as its components clash into one another — like mixing too many colours of paint to get a sludgy brown. However Jerskin Fendrix's main success is how that doesn't happen, how its pace is too blistering and his creativity too electric to ever get bogged down. He expresses himself in so many ways, in such a short space of time, but succeeds in more or less every single one.
His beat-making is unique, his instrumentation prolific, and his lyric-writing witty and rich. For all of this, however, you're still left wondering who, at the core, Jerskin Fendrix really is. The record is as if he's wearing one lavish, intoxicating disguise after another, but never revealing who lies underneath.
One of the best labels in the world finds yet another way to keep the average BPM of its releases at truly aorta-scorching levels. Based in Uganda's capital Kampala, Nyege Nyege Tapes' recent releases have sometimes ventured beyond that nation's border and beyond the eponymous format ; DJ Diaki lives in a Malian village and plays Balani Show music, totally hectic percussive workouts which are supplemented by a live drum machine during DJ sets and built unapologetically for serious dancers.
If you have a rhythmic affinity with go-go, ghettotech, ballroom house or the madness Nyege Nyege have previously unleashed from the Sisso collective, gird your loins. Here, the building materials are sourced from a torrent of Walshe's a cappella singing regenerated by SampleRNN, an artificial neural network created and wielded by CJ Carr and Zack Zukowski alias Dadabots.
And the partitur? The ostensible "history of Western music," filtered through the artist's whimsical perspective and teaching experience. Using the spawned samples as bricks and plaster, Walshe constructs a simulated narrative that traces the transformations of her voice in Dadabots' accelerated Petri dish — where millennia fit in the span of minutes — and applies it to the similarly abbreviated canonical progress of vocal music.
Antonio Poscic. Not difficult to enjoy, but to reckon with. The precarious dance they are able to do between deeply soulful, humanistic music and aggressively opaque, nasty, rough noise makes each of their projects a challenge. One moment your surroundings seem to reveal themselves, the next you're launched into mirages again, rooms full of mirrors that stretch and distort things you ought to recognise. On Heaven To A Tortured MindYves Tumor harnesses their relentless curiosity to test the boundaries of rock and noise — and reinvents what we expect from both in the process.
While there was a sense of dismay running through those at a reality that was beginning to fracture, The Don Of Diamond Dreams feels imbued with a sense that alternative realities — different ways of telling stories, different mythologies to reflect our true nature — are always within our reach, if only we're able to fully embrace our own imaginations.
Adam Quarshie. Pink Siifu's latest record sits at the intersection between hardcore punk, hip hop, experimental noise, and jazz, finding the rage, power and extremities of each and clashing them together in a raging and frenetic explosion of a record. Its words, sometimes spat and howled by Siifu, and sometimes created out of gritty sound collage, are rooted in black identity and his experiences of police brutality, evidenced most intensely on the record's incredible twin peaks 'ameriKKKa, try no pork.
Pierreand here we see his composition rather than his writing foregrounded and developed. He's given himself a broad palette here of samples, SFX, keyboards, and objects, and it's often difficult to hear which is which. And though the press release speaks of a clarity of production, actually it's a lack of clarity which is perhaps this album's greatest strength.
Things clip and are saturated, often removing a known sound from its deserving context. The effect of this is to disorientate, to warp and unnerve. Johnny Lamb. KiCk i is a head-spinning record, one in which pillars of absolute pop transcendence emerge from a kaleidoscopic and glitchy vortex of constantly shifting noise. It's a chaotic, courageous and relentlessly forward-thinking record, one that finds Arca changing guise on every song.
Taken as a whole, KiCK i presents Arca at both her most experimental and her most accessible, without compromising either extreme. Buy from Norman Records. After several attempts, New York producer Eric Littmann — the Phantom Posse collective's linchpin — has accidentally made an album for the times, a warped reverie of a soundtrack for empty urban landscapes.
That's what these 14 cuts of disorientating ambience feel like, anyway — or does everything feel like that these days? Matthew Horton. Slipping into a cinema on a rainy afternoon in Soho to watch Peter Strickland's In Fabric was one of my more psychedelic experiences in recent years. Poised just as the film is between the encroaching terror and glitzy laughability of consumerism, the score by Cavern Of Anti-Matter lingered even longer in the mind than the movie did.
Brimming with retro giallo soundtrack signposting, the spiralling melodic themes provided Tim Gane and synthesist Holger Zapf augment and mimic the film's hypnotic pace. From the flow of the devilish cursed dress at the heart of the movie, to the lingering sense of dread and melancholy behind every boldly colourful shop window, Cavern Of Anti-Matter perfectly augment In Fabric 's rich aesthetic. Faster numbers like 'Hey! It's a deeply hypnotic combination that only grows more entrancing on his second album, Mas Amable.
Read: Album review Buy from Norman Records. There's an interesting playfulness to the rhythms on upsammy's debut album, which share a close lineage with the kind of bumpy IDM that you can frequently expect to hear in her DJ sets.
Curious, fizzing melodies shine throughout, from the dubby 'Extra Warm' to the percussive, rolling energy of 'Subsoil' and chunky electro-esque 'Overflowering'. I've long admired upsammy's willingness to eschew obvious club functionality in the rhythms and melodies that typify her productions and DJ sets, and Zoomher latest act in doing just that, is undoubtedly her best record yet.
Scacco MattoLorenzo Senni's latest effort for the Warp Records imprint, puts me in the mind of a brash sports car, something like a Lamborghini or whatever Richard Hammond has pinned to his wall.
Jeremy Clarkson would love it and say, "Yes! James May would find it all a bit unnecessary. Ryan Alexander Diduck. If it had appeared at any other time, Run The Jewels 4 would hold up as a brilliant and extremely potent record, but the latest record from El-P and Killer Mike feels inseparable from the time it was released. Appearing as the protests sparked by the death of George Floyd were hitting their peak, when the reality of just how much progress and change was to be achieved from amidst the turmoil, and when Mike's impassioned, eloquent and powerful speech to the people of his native Atlanta proved once again his incredible oratory skills, the duo's inherent vitality feels amplified just that little bit further.
I dare say, the front room holds no fear Headroof is a dynamic, thrilling, absolutely blazing collaboration with several members of the Nyege Nyege family which took place at their Villa in Kampala, Uganda a year ago. One of the biggest reasons Land Trance are such a successful project is the cohesion that constituent members Benjamin D.
Duvall of Ex-Easter Island Head and Andrew PM Hunt of Outfit have established when combining their two voices; you can hear the former's psychedelic instincts being pushed further outside of the box by the latter's driving spirit and his innovative approach to instrumentation.
The result is an unfathomably gorgeous album, lush and layered with a powerful and personal core. Where Dua Lipa's debut album arrived eight months past its release date, no such misfortune befell its follow-up, Future Nostalgiawhich arrived a week ahead of schedule earlier this year as many countries entered their coronavirus lockdowns. Drawing in all manner of '80s and '90s pop disco sheen 'Future Nostalgia', 'Physicalwithout Gaseous Subjectivity - Full Of Emptiness - Full Of Emptiness (CD lost in the past, Future Nostalgia is chock full of hooks and stylish pop bangers.
A desolate narrative woven throughout Dan Bejar's imagery often creates claustrophobic songs which, from the offset, are not for the faint-hearted. Bejar, our conduit in this realm, see-saws in his invitation to listeners to observe this place: "Just look at the world around, actually, no don't look," he intones on 'The Raven'. This stark lament is continued when Bejar further implies that "the idea of the world is no good.
Here, your chances of encountering the Boston Strangler are as good as coming across a gaggle of "chicken-shit singers paying their dues" or "another dead rich runaway. Certainly they remind me of other groups, are analogous to others, can be talked of in the same breath as more again — all of which is different Gaseous Subjectivity - Full Of Emptiness - Full Of Emptiness (CD sounding like them.
Yet Flower Violencetheir five-song debut album on local label Box, seems to harbour its own distinct tics of rhythm, arrangement and instrumental interplay. Jockstrap are a group still in their relative infancy, but their musical ideas and artistic vision here is fully formed. They're no longer an exciting prospect, but a divine force in their own experimental pop field; more than anything else, this EP whets the whistle for a full length.
Wicked City is the latest glimpse into their fully realised sonic kingdom, and I can't wait to spend more time there.
Cal Cashin. Keeley Forsyth is able to create incredible depths with simple words and phrasing, combining them in a way that's elusive and yet makes full emotional contact. This is a boldly honest and startling debut. Lara C. Despite being heavily informed by the loss of her mother to cancer inKatie Gately's second album is not so much about grief, as made with grief. It is layered in every atom of the record, like a fifth element tying it all together.
Part self-soothing machine, part banishing ritual, Loom is Gately's most artistically refined offering. In its grim landscape amid the terrors of grieving, ailing, raging bodies and ravaging hyper anxious brain chemistry, an eerie transcendence looms large. Opener 'Ilmestys' welcomes the listener with waves of throbbing synths and stark, repetitive rhythms like Cluster's evil twin.
Algiers' previous record, 's The Underside Of Powerwas a doubling down on the dense wall of noise of its self-titled predecessor. This time round, though, he's starting to win the battle. His lyrics — taken entirely from a self-penned poem called 'Misophonia' — sound clearer than ever before. Simon Jay Catling. A monotone synth drones on in the background as Loveridge rambles on about losing his confidence in people and being sick of it.
The final third of the song grows to a distorted crescendo before abruptly stopping. Then the album's standout moment kicks in. It's sheer noise from the beginning. Throughout Serpentyou could feel the tension bubbling under the surface, but Loveridge showed restraint to keep the songs from descending into chaos. Nick Roseblade. Yes, one can identify a few constituent parts, trace the shadows of various influences here and there, but when consumed as a whole, Guerrilla is a singular experience.
Luke Cartledge. Mike Hadreas is proficient in retaining Set My Heart On Fire Immediately 's allure as he exudes an unwavering assurance in his artistic dexterity, seamlessly slipping between almost industrial-like rhythms and carefree pop songs.
One such irresistible moment is the fun-loving s-tinged, 'On The Floor'. Even after repeated listens — you could easily lose track of time enjoying it on an infinite loop — the layered textures of Wurlitzer and whomping bass are persistently rewarding. Similarly, the tonal shift of 'Moonbend's spacious arrangement, dominated by Spanish-tinged guitar and mellotron, is utterly spell-binding. Zara Hedderman. FountainLyra Pramuk's captivating debut, is composed completely of sounds fashioned from her own voice.
There are songs, some with words, but primarily there are extralinguistic utterances that are processed, augmented, deformed, and re-organised technologically to create timbres and textures that bear little resemblance to anything human-made. The result is a conceptual and smart album that also refreshingly succeeds as an aesthetic object. On her fourth full length release, Nadine Shah engages with the gendered politics of interpersonal arrangements, keeping her gaze fixed on the time pressures of maturing womanhood.
Kitchen Sink is an album imbued with the outsider experience, filling the great pop cultural songbook with the missing stories of various othered perspectives, characters whose lives haven't unfolded as imagined, expected, or socially prescribed.
Psychedelic rock is supposed to be transcendent, but what makes Sex Swing so powerful is that they transcend the limitations of psychedelic rock. Their sound is so full of possibilities: violence, sexuality, sacrifice, even religion. If there was a future to look forward to for heavy guitar music, this is it.
Even the worst, the most terrifying, psychedelic experiences can have transformative potential. Jeff Parker's last album, The New Breedwas a tribute to his father who passed away while the album was being made. Tender riffs interplay with gentle tones to create an album that oozes with admiration.
Given the subject matter, his mum, this makes perfect sense. But what sets Suite For Max Brown apart from similar releases is how honest and raw it feels. There are times when the project could have drifted into a schmaltzy affair, but Parker sticks to his avant-garde Gaseous Subjectivity - Full Of Emptiness - Full Of Emptiness (CD and delivers his strongest album to date.
In a smart but not obtuse way, Dillon's tracks are woven through with the musical genres in which she has found inspiration, along with nods to the grid-like abstractions of visual art and the scored frameworks of Labanian dance. Locked in at bpm, swipes reminiscent of micro house are meshed with Afro-Caribbean polyrhythms and the tresillo beat of Latin America. Carefully placed but not constant gut-rattling deep bass dips in and out unexpectedly.
There is dub without echo and there are grooves without things getting too wiggly. There are hints of jungle's micro-engineered fragments being torn down and rebuilt — but with more space to catch your breath Workaround 's assemblies have a human scale too, as Dillon leaves ample room for her impressive roster of collaborators too many to list but Laurel Halo, Batu, Jonny Lam, and Lucy Railton are among them to resound warmly between her computational rhythms.
Kristen Gallerneaux. Be Up A Hello is Tom Jenkinson's strongest album for a decade and is easily up there with his best work. After the initial euphoric bounce of 'Oberlove' and 'Hitsonu', the album delves into classic territories. Wonky jazz and acid breakdowns all feature, making Be Up A Hello feel like a greatest hits album.
And in a sense it is. In a perverse way, by using the same equipment he started out with, Be Up A Hello feels like his debut 2. He's taking everything he's learned over his year career and putting it to use with his original gear, making for an album that has hints of nostalgia, but none of the awkwardness. The group's first full-length of new material since 's Alles Wieder OffenAlles In Allem finds Neubauten at their most melodic, lush and textured.
The apocalyptic industrial of early masterpieces like Kollaps or Halber Mensch has been subbed out in favour of lush string arrangements, majestic synth melodies, and Blixa Bargeld's refined singing. The elevation in the sophistication of its musicality has been a persistent theme for Neubauten since the late '90s, and those that still fetishise the band for the pulverisations of its early albums are robbing themselves of the joys associated with Neubauten's more compositionally inclined later career phase.
Or perhaps more accurately, my memories of the rhythm of Catholic mass. Which, for the unfamiliar, is a repetitive endeavour of a somewhat startling musical range. Hymns, chants, moments that lull you into a contemplative, nearly meditative state, and others that shake you out of it. If you were a kid bored out of your skull by it all, you know what I mean.
A good friend of mine is fond of jokingly chanting the eucharistic doxology, saying, "My favorite song, dude," before cracking himself up. Anyway, it sinks in. And so it goes with Shall We Go On Sinningan album designed to both inspire calm as well as disrupt it.
One continuous piece of music split into tracks to appease the streaming gods. The LP begins with 'Shall', a lovely, layered accumulation of voices singing the record's title over and over again, before giving way to the crackling of fire or is it the rippling of water?
Has any genre of "secular" music ever been more filled with church, with community? Instead, just after the album's halfway point, Daniel shatters the listener's reverie with a slew of bells, free jazz horns and walloping kicks. This segment of the record, 'Sinning', for those following along at home, heralds the beginning of the album's more chaotic, rambunctious half, while also acting as a kind of wake-up call, maybe even something like "a swift, spiritual kick to the head," as Minnie Driver's character puts it in Grosse Pointe Blank a recent shelter-in-place rewatch.
The horns stick around. Something like an organ pops up later. Everything is ecstatic. Fully illuminated. The feeling, having gone through it all, is utterly refreshing, akin to renewal. Baker's Dozen: Shirley Collins. A Quietus Interview: Werner Herzog. Support The Quietus Make a Contribution. LOG IN. Info About The Quietus Facebook.
It looks like you're using an adblocker.
A Critical Study of Nāgārjuna's Philosophy. Author: David F. Burton; Publisher: Motilal Banarsidass Publishe ISBN: Category: Buddhism Page: View: DOWNLOAD NOW» Emptiness means that all entities are empty of, or lack, inherent existence - entities have a merely conceptual, constructed existence. Feb 13, · Black/Death Metal from Belgium Emptiness Season of Mist (Video blocked in countries) Tracklist: 1. Meat Heart 2. It Might Be 3. Circle Girl 4. . Formed in Birmingham, UK in , by Nik Bullen. Napalm Death were originally one of the bands that defined the UK hardcore thrash/punk sound of the mid-late s, along with bands such as Extreme Noise Terror, Doom and Sore liehageludedownfumetheamegilern.coinfo band has gone through countless line-ups and many former members have gone on to become significant figures in a variety of musical scenes.
A Critical Study of Nāgārjuna's Philosophy. Author: David F. Burton; Publisher: Motilal Banarsidass Publishe ISBN: Category: Buddhism Page: View: DOWNLOAD NOW» Emptiness means that all entities are empty of, or lack, inherent existence - entities have a merely conceptual, constructed existence.
The fact that Daniel Craig's new album seems to have simmered into existence over a full three-year period is far from surprising. The low-end obsession, meticulous detail, and sheer scope of aesthetic put into A Past Yet To Come by the Aussie producer is, no bullshitting, breathtaking. Covenant is the third official full-length album by Florida-based death metal band Morbid liehageludedownfumetheamegilern.coinfo was released on June 22, through Earache Records in Europe and Giant Records in North America. Covenant was the band's breakthrough album due to their contract with Giant Records and its widespread exposure on MTV's Headbangers Ball, as well as the music video for 'God of Emptiness.
Jan 09, · Where “The Next Day” was, in keeping with contemporary trends in album creation, long and somewhat exhausting (it clocked in at fourteen tracks and fifty-three minutes, a full quarter hour.
Sep 29, · Life After Death posthumously turned the Notorious B.I.G. into easily the country’s most popular rapper – a cruel irony in an album full of ‘em -- thanks in large part to the triumphant. In reality, emptiness is just one, not many. There is only one emptiness that directly cuts the root of samsara. This is the emptiness taught by the Prasangika-Madhyamika school, whose view of emptiness is the unmistaken, pure one and the only one that can cut the specific ignorance that I mentioned before.
Aug 03, · In the words of both Taylor Swift and Bananarama, it has been a cruel summer so far. As the coronavirus pandemic rages on, we’re all constantly adapting and, for many, giving up normal.
Varsity Brass Band - Dixie Medley / Stars And Stripes Forever (Shellac), Ran Away Dark - 8 Eyed Spy - Live (CD, Album), Overture: - Beethoven* - The Creatures Of Prometheus (8-Track Cartridge, Album), Oamura, Sweeter - My Precious Days - Ether (CD), By My Will - Trelldom - Til Minne... (CD, Album), Soul Is Back - Def Jef - Soul Food (CD, Album), In Orbita - Jovanotti - Safari (CD, Album), Agua Primera De Mayo - Cheo Feliciano - Looking For Love (Buscando Amor) (Vinyl, LP, Album), Im Only Shooting Love - Time Bandits - Im Only Shooting Love (Vinyl), Jonny West - Various - Musica De Peliculas (Vinyl, LP), Interview, Starring - ABCDEFG-HIJKLMNOP-QRSTUV-WXYZ (CD, Album)