Label: Metro Records - • Series: Jazz Spectrum - Vol. 8 • Format: Vinyl LP, Compilation, Stereo • Country: Germany • Genre: Jazz • Style: Hard Bop Wes Montgomery - Jazz Spectrum Vol. 8 (, Vinyl) | Discogs4/5(10). View credits, reviews, tracks and shop for the Vinyl release of Jazz History Vol.8 on Discogs. Label: Verve Records - • Series: Jazz History - Vol. 8 • Format: 2x, Vinyl LP, Compilation • Country: Germany • Genre: Jazz •. View credits, reviews, tracks and shop for the Vinyl release of Jazz Spectrum on Discogs. Label: Verve Records - 26 15 /10 • Format: 10x, Vinyl LP, Compilation Box Set • Country: Spain • Genre: Jazz, Pop • Style: Bop, Contemporary Jazz, Vocal, Dixieland, Hard Bop, Cool Jazz4/5(3).
It would have been nice if he had done a stepped-up version of what we had been doing. Taylor has a different view Musty - Wes Montgomery - Jazz Spectrum Vol. 8 (Vinyl the albums Montgomery did with Keepnews. Taylor says Montgomery never voiced any objections to the directions his producer was taking him. Wes never had any complaints about anything. He hit his commercial stride about the time he died.
The contented attitude Taylor describes Montgomery having toward his latter-day musical turn is disputed by Keepnews. That was not what he wanted to be doing, as witness the fact that he never performed in that kind of setting.
To the very end, he was out there on the road in a trio or quartet setting. Obviously, he knew that they were great musicians, but it came at a time when these musicians were looking to expand their fan base. Wes would play a club and would get his usual amount of patrons. He would go into a club and stretch out the way he always did. Those musicians we did that for were perfectly happy with the arrangement. It worked out pretty well for them.
As Montgomery told the Associated Press inafter his biggest splashes of the Taylor era, his recording career had started with a pure focus on jazz values and evolved into something very different.
I was playing for myself for a long time. It was good music, and I recorded it, but it just went to musicians, no further. Then I started to do more melodic things, and I sold more records because the music was more melodic and simplified.
And I began to understand LP) the public will let you know what they want from you by sales. He was the producer. I would have suggestions, obviously, but ideas would spring up and he would have a reason for doing this and that.
It was a time when he found a formula that worked for him. Back then it was like sellout. It gave them something that came down Musty - Wes Montgomery - Jazz Spectrum Vol. 8 (Vinyl. The CD You have to conform to certain guidelines in order to get played on that station. I think he just wanted to make nice records that people would like to listen to. But Wes was very happy to be doing what we were doing.
You have to go by that, as well, Musty - Wes Montgomery - Jazz Spectrum Vol. 8 (Vinyl. It was a golden time. At this point Montgomery experimented briefly with an electronic octave-divider effect on his guitar-a sonic redundancy for a guitarist who dispensed octaves with such surreal ease. It was after that that we decided that we should record Wes with a small group, a rhythm section or whatever, and if we needed the other elements, we would add it later.
But a lot of the times, after hearing them play the basics, I was let into the creative process. It was back and forth between them and me all the time. Herbie [Hancock] would play a little lick, and I would key off of that and do a little background part. Sometimes, it was hard to tell what came first. Of course, he rehearsed in the hotel room all the time.
His ear just took him wherever the song was going. For that time, it Musty - Wes Montgomery - Jazz Spectrum Vol. 8 (Vinyl sophisticated changes and the whole structure was great. He was there with Wynton Kelly and that group. I corrupted this artistic diamond in the rough or whatever and made him do all this tapestry stuff. The guitarist then cut the lightly Latin album Tequila-the only album he ever made without a keyboardist-with string arrangements by Claus Ogerman and featuring the talents of bassist Ron Carter, drummer Grady Tate and conguero Ray Barretto.
Montgomery, no doubt emboldened by the cachet of success in his commercial ventures, recorded blowing albums in Septemberwith organist Jimmy Smith: The Dynamic Duo and Further Adventures of Jimmy and Montgomery. These sessions were one way to satisfy his jazz urges, which he was also able to engage, in some measure, on gigs so long as he fed his newly configured audiences the hits they craved.
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Label: Verve Records - S • Series: Jazz History - Vol. 8 • Format: 2x, Vinyl LP, Compilation Gatefold • Country: Italy • Genre: Jazz • Wes Montgomery - Jazz History Vol. 8 (, Gatefold, Vinyl) | Discogs4/5(3). Wes Montgomery - Jazz Spectrum, Vol. 8 (Metro (F) ) Jimmy Smith & Wes Montgomery - Jimmy & Wes: The Dynamic Duo (Verve V/V) Jimmy Smith And Wes Montgomery - Further Adventures Of Jimmy And Wes (Verve V). WES MONTGOMERY Vinyl Records and CDs: It's impossible to speak of jazz guitar without mentioning the great Wes Montgomery. Montgomery picked up where Charlie Christian left off, in developing the electric guitar as a jazz instrument. From until a decade later, Montgomery was the consummate Hard Bop guitar player.
The Incredible Jazz Guitar of Wes Montgomery, an Album by Wes Montgomery. Released in on Riverside (catalog no. SMJ; Vinyl LP). Genres: Hard Bop, Cool Jazz.
Montgomery, Wes: In the Beginning. Deluxe triple gm vinyl LP set, pressed by Record Technology, includes hand-numbered slipcase with an eight-panel booklet with notes by Ashley Kahn, Quincy Jones, Pete Townshend and others, collector postcards of never before published photos, and digital download. Wes Montgomery [John Leslie Montgomery] (born March 6, , Indianapolis, IN; died June 15, , Indianapolis, IN; aged 45), guitar.
Label: Verve Records - 23 04 • Series: Jazz Spectrum - Vol. 8 • Format: Vinyl LP, Compilation, Reissue • Country: Spain • Genre: Jazz • Style: Hard Bop.
Jul 01, · The s and early s recordings by Wes Montgomery are among the greatest in jazz-guitar history. But what of the mid-to-late '60s albums that Montgomery cut for Verve and A&M that led to his greatest popular successes-and the loudest critiques from the jazz world? Josef Woodard gives us an indepth look at the commercial apex of Montgomery's career. Wes Montgomery: The Incredible Jazz Guitar Of Wes Montgomery (Riverside) Though inspired by the fretboard virtuosity of his idol, Charlie Christian, Wes Montgomery forged a unique and.
Sep 15, · Montgomery always included original tunes and other jazz composers' work in among the standards he chose: here it's Dizzy Gillespie's "Con Alma," along .
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